RARE CARSTENS TÖNNIESHOF ATELIER VASE Nr. 100 (19 cm)
SKU: 55091228909

RARE CARSTENS TÖNNIESHOF ATELIER VASE Nr. 100 (19 cm)

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Description

RARE CARSTENS TÖNNIESHOF ATELIER VASE Nr. 100 (19 cm)This very rare decor is from the first Carstens Tnnieshof Atelier series (1962 64) by Gerda Heukeroth and Heinz Siery. The as yet unnamed pattern is comprised of contrasting geometric 'fields' in smooth matt teal green painted with hash marks interlocked with others in dark sandy espresso brown that stand out in slight relief. Gerda Heukeroth was responsible for the Atelier decors and Heinz Siery for the shapes. CARSTENS TNNIESHOF was founded in 1946

This very rare decor is from the first Carstens Tönnieshof Atelier series (1962/64) by Gerda Heukeroth and Heinz Siery.  The as yet unnamed pattern is comprised of contrasting geometric 'fields' in smooth matt teal green painted with hash marks interlocked with others in dark sandy espresso brown that stand out in slight relief.  Gerda Heukeroth was responsible for the Atelier decors and Heinz Siery for the shapes.

CARSTENS TÖNNIESHOF was founded in 1946 by Ernst Carstens and his son Christian. Their family had had a long prior history of manufacturing ceramics and porcelain in Germany, but all of its businesses had collapsed by the end of WWII. Most of the CARSTENS factories wound up on East German soil when the country was divided and so were expropriated by the DDR. Father and son built the new Tönnieshof factory on a farm of that name in Fredelsloh in Lower Saxony, just west of the border with East Germany. Production of table ceramics began in 1947; the first known decorative pieces date from the early '50s. Ernst's wife Trude Carstens served as artistic director until her death in 1965.

CARSTENS TÖNNIESHOFF was very successful for many years and produced an enormous variety of shapes and glazes. The 'Luxus' and 'Atelier' ranges were more expensive lines and they sold in large department stores—'Atelier,' launched in 1962, was the creation of renowned designer Gerda Heuckeroth. Helmut Scholtis introduced the very popular 'Ankara' décor in 1963 during a stint with CARSTENS; an example of the "wax resist" technique, it was applied to a broad array of forms. Lava glazes were employed during the second half of the 1960s. Production was eventually expanded abroad to Austria, Chile, Argentina, and Australia—it may well have topped out at close to 10,000 items daily. Other distinguished designers on CARSTENS' roster included Heinz Siery, Rudolph Christmann, and Dieter Peter. The firm went bankrupt in 1977.

GERDA HEUCKEROTH began her career with an apprenticeship under renowned ceramist Siegfried Möller and studies at the School of Applied Arts in Bremen.  She showed her first pieces at the Grassi Museum in Leipzig in 1939.  Less than two years later she was appointed the artistic director at Carstens-Uffrect KG in Neuhaldensleben and soon took over the management of the group's Hubbe branch.  (The Carstens-Uffrecht factory would be nationalized by the DDR with the division of Germany and operate as VEB Haldensleben up until reunification.)  During WWII Heuckeroth set up a workshop in her home in a suburban district of Hamburg.  Following the war, she worked for various firms, among them Grünstadt, Villeroy & Boch, and the Koninkliijk Plateelbakkerij Zuid Holland in Gouda, as a designer of both forms and décors.  Heuckeroth became artistic director of Ruscha Keramik in 1959 when Hanns Welling left the company.  She succeeded him again in 1962 as the senior designer for Ceramano.  In 1964 she moved to CARSTENS TÖNNIESHOF as head of its Atelier department, where she produced a great number of outstanding designs.  Along with much of her early work, these have become highly sought-after by a new generation of collectors.  Eventually retiring from industry, Heuckeroth returned to freelancing out of her Hamburg studio.  Her work has received numerous awards and prizes over the years at national and international exhibitions.

HEINZ SIERY was a true luminary in the world of ceramics in the 1950s and '60s.  His form designs had significant impact on the product styles of makers Fohr, Scheurich, CARSTENS, and Ruscha, among others.  Siery often employed "the golden ratio" (or an approximation) while designing, lending harmonious proportion to his work.  This can be clearly seen in his most iconic vase, no. 271/22 for Scheurich.  Presented in 1959, it was extremely popular and was still being manufactured in the 1970s.  Siery also developed and introduced new methods of industrial organization.

In 1969 Siery and wife, Ingrid Siery-Illgner, established a jointly operated studio, Atelier Syré, near the historic town of Euskirchen in North Rhine-Westphalia out of which they both freelanced.  (Ingrid had also designed decorative objects for CARSTENS, and overseen the design department at the Wächtersbach earthenware factory.)  In addition to commissioned work, the couple produced creations of their own—notably elegant, figural sculptures made of bronze, whose simple, classical forms and sleek lines evoke the work of Henry Moore and Joannis Avramidis.  Atelier Syré houses a sculpture park home to more than 300 of these works.

Designer GERDA HEUKEROTH AND HEINZ SIERY
Manufacturer Carstens Tönnieshof
Design Period 1960 to 1969
Production Period 1960 to 1969
Country of Manufacture Germany
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage, Mid-Century, Hand-Crafted, Modernist
Detailed Condition Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations.
Product Code
Materials Ceramic
Color Teal, brown
Width 7.5 inch
Depth 7.5 inch
Height 7.5 inch
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SKU: 55091228909

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J
JM
Fort Morgan, US
★★★★★ 5
Strong with high rim, makes for a great disposable plate
Size: 10inch-140
I really like these paper plates because the rim is so high. It’s definitely higher than many other plates that I’ve encountered. This helps food stay on the plate, no matter who is using it. The plates are super sturdy too. I can put heavy, wet foods on it (like a can of dog food) and hold it with one hand without it buckling or collapsing. The paper is thick, which helps add to the sturdy feel. The design is super basic. They are white with a simple design adorning the rim. They look like regular paper plates you might find at the grocery store.. except these are stronger. I think they’re a great value. I love using paper plates, since I don’t have a dishwasher. I often use them for my dogs wet food. The rim is high enough to keep all of the food on the plate, despite him moving it around a bit. The plate size is great too. They’re large enough to use as a dinner plate in my household. I’m happier with thee plates than I expected to be. I’ll take a super functional plate with a plain design over a “pretty” plate that flops in half when you carry food on it. Function over aesthetics for the win.
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Reviewed in the United States on May 19, 2026
J
JArencibia
Omaha, US
★★★★★ 5
Great quality product!!
Size: 10inch-140
These disposable paper plates are an absolute lifesaver for family barbecues and large dinner parties. The ten-inch size is incredibly spacious, easily holding a full meal with multiple side dishes without anything spilling over the edges. I am seriously impressed by the heavy-duty construction because they stay completely sturdy even when loaded up with heavy, saucy foods. It gives me so much peace of mind knowing they are truly soak-proof and won't get soggy or bend. With a massive one hundred and forty plates in the pack, it is an amazing bulk value that lasts through several events. Cleanup is an absolute breeze since we can just toss them out, saving me from hours of standing at the kitchen sink. They are perfect for birthdays, picnics, or even just lazy weeknight dinners when I want to skip doing the dishes. Anyone searching for durable, reliable disposable tableware for their next gathering will absolutely love this set.
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Reviewed in the United States on May 31, 2026
A
Amazon Customer
Carnegie, US
★★★★★ 5
Sturdy and good quality paper plates
Size: 10inch-140, Size: 10inch-140
These 140 pack paper plates are exactly what I needed for my family party. The plates are Saturday, heavy duty and easy to handle lager portion of food without bending and leaking. I used them during a family gathering and the plates help up the salad and burger throughout serving lunch. The 10 inch size of the plates are just perfect for any occasion to serve enough food on them. Also with 140 plates I have enough to go around for several parties and I feel I still have more than enough. I like to used paper plates as the clean up afterwards is much easier also it will much more cost effective in long term.
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Reviewed in the United States on May 30, 2026
P
Product tester
Carnegie, US
★★★★★ 5
Strong and durable.
Size: 10inch-140, Size: 10inch-140
I’m very impressed by these plates. I want to start by saying I use them mostly for my home cooking but these are strong and durable enough to be used at outdoor events and other social gathering. At 10in the plates are big enough to fit the whole meal, and with growing boys it is necessary to feed them full portions for their growing bodies. The design is nice and the plates are thick, there is also a coating on them. I prefer that because I often cook with gravies and sauces and if you want the sauces and juice to remain you need a coated disposable plate. Another positive is that because you can put bigger food portions because of the size, you also need the plates to hold up. These do exactly that. Even with heavy foods the plates remain firm and not flimsy. These are really good paper plates.
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Reviewed in the United States on May 20, 2026
J
Jennifer
Battle Creek, US
★★★★★ 4
Nice sturdy plate. Great for different occasions
Size: 10inch-140, Size: 10inch-140
The plates are big and sturdy. They could hold 2 slices of pizza easily. These are great for everyday use. The plates are easy to remove from stack. They don’t stick together. The design is the same as shown. The blue and white colors complement each other.
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Reviewed in the United States on May 20, 2026

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